The best piece of writing advice I’ve ever gotten

Yet it’s also the most overlooked, often thought of as “unhelpful”, and sadly not even considered to be “good advice” by most people.

Sucks to be them I’d say because there truly isn’t a better way to become a better writer—or a better anything for that matter.

See, this piece of writing advice isn’t just applicable to becoming a better writer.

No, no.

It’s applicable to every single thing you’ve ever done, everything you do, and everything else you will do in both the near and distant future alike.

This is the closest to a “Theory of everything” we’ll ever get.

Now, that I’ve got the preliminary pieces of warning out of the way, it’s finally time to share with you the best piece of advice you could ever get which, once again, can be applied to everything you can ever think of.

Yet, it’ll also be the most obvious and boring thing you’ll ever hear me say—probably to the point where many people will dismiss it altogether, only to go chasing newer, shinier, and cooler (yet a whole lot less effective) ways of improving at their craft; only to end up asking themselves why they’re barely making any progress after putting in, what they claim to be, "tons and tons” of effort.

The golden piece of advice?

Here it is, exactly as it was written in the gem of a book, “On Writing Well” by William Zinsser:

You learn to write by writing. It’s a truism, but what makes it a truism is that it’s true. The only way to learn to write is to force yourself to produce a certain number of words on a regular basis.”

I told you it was boring.

Yet I’ve never heard better advice than this, nor do I think I’ll ever hear something better in the future.

But so it goes for everything else you do in life.

For example.

It’s been the exact same for me recently when I got into the world of creating and running ads online.

My first ad was shit. My second one was shit. And my third one was shyte.

But the fourth one?

Also shit.

It wasn’t until I got enough practice in. Learned what makes people click, what makes an ad demand attention, how to get people to finish reading the ad, click through on the offer, match the landing page to the ad, make sure there’s enough hurdles for the customer to jump through (to pre-qualify them so you don’t end up wasting more money than necessary), but at the same time limit the amount of hurdles so you don’t scare away the good customers, and much much more.

Sure I devoured everything I could get my hands on when it came to creating ads.

But none of it would’ve mattered if I didn’t get my hands dirty and experimented dozens of ads to compare what worked (and what didn’t).

True knowledge can only ever come from practical hands-on experience.

Which is why I’m putting a heavy emphasis on practical experimentation in my upcoming course all about how to successfully run ads that get you paid, while making sure those “practice ads” remain as cheap as possible so you’re not punished simply because you want to learn.

But more about my course in the future.

For now, if you’d like to learn how to write daily emails that get you paid and keep your readers reading day after day, a practice that’s invaluable if you combine it with the power of running online ads to sell your products and grow your list at the same time, then consider checking out my flagship course Email Valhalla.

Click here for more information: https://alexvandromme.com/valhalla

When 2+2 doesn’t equal 4

A while back I came across a Ted Talk by famous film director, screenwriter, and producer, Andrew Stanton, who worked on films such as Toy Story, Finding Nemo, WALL-E, Up, Cars, The Incredibles, Ratatouille, Coco, and many, many more.

Long story short: he knows what’s up. He’s a master of his craft.

One of the storytelling devices he spoke about is, what he calls, The Unifying Theory of 2+2—where, when telling stories, you don’t simply give the audience the answer.

So instead of giving them 4. You give them 2+2. The audience wants to work for their meal; they just don’t want to know they’re doing it.

Basically, don’t tell the audience everything that’s going on.

Give them just enough information that they’re able to put the pieces together themselves.

If you’re writing a character in a story who’s running late for a job interview and has to wait for the bus.

Don’t make him say, “That damn bus is always late. I’m never going to get to my job interview in time.”

Make him pace around nervously. Have him look at his watch repeatedly and wipe some sweat off his face while adjusting his tie.

He’s in the same scenario, but it’s so much more enticing to watch. The audience has all the necessary information to deduct what’s going on.

Make your audience invested.

Now, you might be thinking. “That’s great, Alex. But I’m not a screenwriter. I just want people to buy my products.”

And that’s great.

See, this simple Unifying Theory of 2+2 works for everyone, even for you (regardless of what you’re selling or which market you’re in).

You might expect me to give you an example right now as to how I’m using it or how you could be using it for your own business. But I’m not going to give it to you.

You’ve already got all the pieces to figure it out for yourself.

So why don’t you simply head on over to the following link and, do whatever makes sense: https://alexvandromme.com/valhalla

A pirates’s guide to email marketing

If you’ve ever seen Pirates of the Caribbean (which you should—shame on you if you haven’t), then you came across a wonderful quote (one of many) by Captain Barbossa when Elizabeth Swann demanded him to release her (and bring her back to shore).

The famous quote goes as follows:

“The code is more of what you call guidelines than actual rules.”

In case you truly haven’t seen the film, the [Pirate] code refers to a set of ‘rules’ every pirate is expected to uphold, no matter how foul, devious, or unethical their plans or desires are.

After all, a society without rules is nothing but pure chaos—even one ruled by pirates, rule breakers, and miscreants.

Now, I’m no pirate. And I’m guessing you aren’t either.

So what does this have to do with either of us?

Well, the same principle of the pirate code being more guidelines than actual rules applies to almost everything we do.

As a beginner learning a new skill, you’ll be taught to adhere to and follow certain rules. Rules such as “Always follow the rule of one” for persuasive writing, “Show, don’t tell” for storytelling, or even the instrument pallet you should use to evoke certain emotions while creating music.

All of these serve a purpose, they will help you develop your skills and ability.

But as you grow, you’ll start to realize that every single rule you’ve been taught, isn’t really a “rule” as much as it is a “guideline”.

Many great copywriters have broken the rule of one on occasion.

Many great authors bombarded their readers with exposition being told to them instead of it being shown.

Many world-class composers have completely gone against common expectations when it came to instrument choice for certain musical styles—just look at Hans Zimmer using the organ as a device for the science fiction hit Interstellar.

William Zinsser said it best when he wrote, “Writing is no respecter of blueprints” in his book "On Writing Well” (a must-read).

And so it goes for email marketing as well.

While I do focus on teaching you a few basic “rules” to keep in mind in my flagship offer, Email Valhalla, I’ll also show you when to apply these and, more importantly, when not to apply them—after all, they’re only guidelines.

Click this link to find out more: https://alexvandromme.com/valhalla

James Cameron’s biggest blunder

I’m a big fan of Avatar by James Cameron.

The film with the blue people. Not the series about the 4 types of benders, although I love that one as well.

I’ve been a big fan of the first film ever since it released in 2009. I still remember how hyped 9-year-old Alex was after first seeing the film. The whole film was set in such a lively world, the universe was constructed perfectly, and an insane amount of money went into production, mostly toward world-building.

It was mind-blowing how amazing of an experience it was to watch that movie for the first time on the big screen. It truly was a moment I could experience for a second time.

So when the second film Avatar: The Way of Water released late 2022, I just I had to see it. And so I did. It was a good and entertaining film, don’t get me wrong. But it wasn’t a masterpiece.

Far from it.

The visuals were there. The world was, once again, amazing. The music, oh don’t get me started on the music. If you know me, then you already know how much I can geek out over film music. I truly love the music. They did a great job with that.

But it’s the story that felt flat for me. The writing could’ve been a lot better.

And there are a lot of improvements to be made. From pacing to consistency, plotholes, and overall dialogue. But that’s not what I’ll be talking about today.

Let me also add how it wasn’t all bad. There was a lot of good writing as well. Wordbuilding, especially creating a believable world, takes good writing, and they nailed that one.

But the thing that troubles me is this.

You should know that James Cameron made the series into a political commentary.

The argument Cameron makes is how bad greed and consumerism have gotten in today’s day and age, as represented by the humans in the film. And how we should reconnect and live in harmony with nature like the Na’vi are doing.

The human faction wants to destroy everything that lives and breathes on Pandora (the planet where the Na’vi lives) so that they can mine a rare and valuable ore that’s suitably called ‘unobtanium’. And they’re doing all of this purely for profit.

Now. here’s the thing. Consumerism is having an enormous effect on the planet. Animal species are going extinct. Lots of beautiful places on Earth are being destroyed. We aren’t in tune with nature anymore. Most people don’t even blink when they hear that another 1,000 new animal species are now endangered.

There’s nothing wrong there. And many people agree with those statements. It seems like the messaging Cameron made in Avatar should resonate with people—except it didn’t.

And that’s because of the bad writing.

The short story is this: Avatar is propaganda. Let me explain.

Here’s the definition of propaganda: “information, especially of a biased or misleading nature, used to promote a political cause or point of view.”

James Cameron’s Avatar is highly biased because the problem isn’t being explored well enough.

Let’s look at some examples:

• All humans (except for the 4 main characters or something) are pure evil, don’t have any regard for nature or animal lives and gladly engage in killing and genocide

• All Na’vi are perfect, virtuous, and noble creatures. Nobody does anything wrong and they all work together as one harmonious group in tune with nature and morally superior.

• The only reason humans want the unobtanium is for pure profit and nothing else

James Cameron makes shows his message yes, but he doesn’t explore it. He shows the good things about the Na’vi, and the bad side of the humans. He entirely disregards the bad side of the Na’vi and the good side of the humans.

Imagine these situations:

• The humans still kill and do everything for unobtanium, but instead of doing it for pure profit, they need it to save the Earth or keep their space fleets (and all the people on it) alive

• The Na’vi are still in tune with nature and protect both fauna and flora as good as possible, but they sometimes attack other Na’vi tribes and take prisoners to turn them into slaves

That’s what exploring is. You take an idea and you fully explore both sides. The good and the bad.

Because right now? It’s simply too perfect. The audience can’t relate. People think that when something seems too perfect and has 0 flaws whatsoever, it’s probably fake. And rightly so, that’s what you should think.

This is the audience’s objection to Cameron’s idea. An objection to what he’s trying to sell them. An objection to his offer.

And this isn’t unique to political commentaries or films. This is a true objection to every single offer out there. Even to yours.

How do you solve that objection?

Be honest, be transparent. Your offer probably isn’t for everyone. It won’t magically solve all their problems. So just say so.

Tell people what your product does good and who it’s for, but also routinely mention who shouldn’t buy your offer. What your offer doesn’t help people do and where it potentially lacks a bit.

If you want to sell your offer, then it helps to point out the flaws. After all, nobody buys something that’s trying to come across as perfect.

Something else that helps you if you want to sell your offer, especially if you want to sell it through email, is my Email Valhalla.

I’m not going to tell you what’s so great about it and how you can easily get paid every single day by writing simple emails and keeping your readers engaged.

No. Instead let me tell you who this isn’t for.

This isn’t for you if you don’t like to write. My system relies on writing. I send emails every single day. If you merely tolerate writing and only want to send an email once a week, then this isn’t for you.

It also won’t teach you how to set up email sequences. That’s not what it’s about.

First of all, I don’t use any email sequences myself, not yet at least. I don’t have experience with it, let alone gotten results with sequences. So I won’t act like I know all about it. With that said, you’ll find 0 modules, tips, tricks, or anything else related to email sequences.

This isn’t a one-and-done system. It’s not an “automated cash machine” and “get rich quick” course, a marketing angle other creators like to embrace when it comes to email courses.

No it’s none of that. It’s the most important methods, frameworks, and rules/guidelines of selling through email. It teaches you the fundamentals in a clear and step-by-step manner that I haven’t seen other courses do.

It allows you to make money every single day through writing emails that take you 20 minutes to write, grow your list, keep your readers engaged, and live a free life. No hassle, no “money while you sleep”, no fancy stuff.

If that doesn’t sound like anything for you, then don’t get it.

If it does sound interesting to you, then check it out here: https://alexvandromme.com/valhalla

What are people saying about my book?

Here’s a review I received shortly after launching my latest self-published non-fiction book on Amazon, The Art of Loving To Write from game developed and owner of Eventide Games Studios, Aaron.

Check it out:

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“My book order arrived yesterday. I ended up finishing it around 50mins. Short and sweet.

Overall, the book achieves its purpose: gives you perspective and advice to make writing easy, fun and meaningful so you'll love doing it and won't want to stop.”

“It repeats a lot of the same ideas you have in your emails which bring a repetition element into the picture and lets the idea sink in more. That part I am fan of and it brings a breath of fresh air in a different form.

It also demonstrates and backs [my top-secret and tremendously powerful systems for making high-quality products as fast as possible]. Big brain moves.

I'm happy with the book.”

===

So there you have it.

Short, sweet, and extremely useful (not to mention entertaining).

Just like you’ve come to know my stuff—which on it’s own is a valuable lesson to take home: make sure you develop a signature style over time so people know what to expect from you.

Anyway.

If you’d like to check out The Art of Loving to Write then click here for more information: https://alexvandromme.com/loving

The biggest mistake when developing your style as a writer

One of the best books about writing I’ve read has to be “On Writing Well” by William Zinsser.

One of the chapters, for example, talks about the mistake many new (and sometimes even veteran) writers make regarding their writing style.

They try to write in such a way people instantly recognize their writing.

But what’ll end up happening is that these writers will artificially inflate their texts, add meaningless words, sentences, and even entire paragraphs which not only confuse the reader but also end up boring him.

They throw out the fundamentals of clear and simple writing (if they’ve even learned it in the first place) all to chase some imaginary goal of “building a style”.

First of all, you don’t build a style, you develop it through many, many years of writing. Writing for which the author had to work for, sweat for, and sometimes even bleed for.

Ask any experienced writer about their first experiences with getting a 10-page first draft of some project down to 5 pages—only to have to reduce it down again to 3 pages the following week.

It’s hard and painful work. Often, it even seems impossible.

But that’s the only way for an author to learn how to actually improve their writing.

Then, and only then, when they mastered the fundamentals of clear and simple writing, can the author truly focus on adding their personality, their beliefs, and their “voice” into the words.

Nobody becomes a best-selling author overnight.

Not even best-selling authors.

Will it take a long time? Undoubtedly.

Is it worth it? Well, that’s for you to decide.

I know it is for me.

Even more.

I’ve developed a whole system to make writing just a bit easier, a bit simpler, and a bit more fulfilling, in other words, a system to truly come to love the art of writing as a whole so you’re not forced to bleed behind the typewriter (or whatever modern replacement you’re using).

If you’d like to learn more about my system then check out the following link: https://alexvandromme.com/loving

Stop writing so damn much

There’s this old saying, “less is more”.

It’s especially true for writing.

Why write big and fancy words when simple and short ones will do? Why waste your time writing 500 words when 50 is enough?

The more you leave out, the stronger your writing.

So it is for both product creation and email writing.

Which is what I focus on in my flagship course Email Valhalla; how to write entertaining emails that make sales and keep your readers reading day after day.

Sounds interesting? Click here: https://alexvandromme.com/valhalla

Two-time self-published author doesn’t know how to promote her books

A question popped up in a self-publishing writer’s community:

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I published my memoir in late January of this year. I was able to get quite a few sales (I was amazed tbh because my previous book I had published barely even sold…).

I’ve been trying my best to promote it this last month because the sales are dropping and I think it’s simply because people have no idea it exists…? But I don’t think I’m catching people’s attention with it.

I published it on Amazon kdp. I can’t pay for ads currently so…am I SOL? I really want my story to be heard

===

Classic case of short-sightedness.

You see it everywhere. People trying to get others to buy their products or services so they start looking for ways to advertise that specific product… only to get a few one-time sales and then struggle to keep that momentum (if they even got any to begin with) going—never actually making a business out of what they’ve got.

Here’s the tl;dr of what I’d suggest to anyone in a similar situation:

• Step 1: Create an email list

• Step 2: Drive people to your opt-in page through content creation

• Step 3: Email them as often as you can about the common interests that connect you and them to whatever you’re selling.

• Step 4: Sit back and relax while growing a business that doesn’t rely on one-time sales because you’re not losing your customers. Instead you’re actively growing your customer list and building a better and tighter relationship with them, guaranteeing more sales (consistently) in the future as long as you keep giving people what they want.

Ain’t nothing complicated to it (and if you think this only works for authors, you couldn’t be more mistaken).

If you’d like a more in-depth view of this process, then check out Email Valhalla to learn all about building, growing, and monetizing your email list.

Click here to check it out: https://alexvandromme.com/valhalla

CrapGPT who?

Here’s something I find hilarious:

So-called “writers”, “creators”, or worse, “experts” who rely on CrapGPT to tell them 1) who their target audience is 2) what those people like 3) which topics they should write about.

I’m serious.

Explain to me how you can, without bursting into tears laughing, have the nerve to call yourself a writer, a creator, an expert, a leader, or even a marketer for all I care, and aren’t able to, from your own mind, your own experience, your own creativity (which you don’t need as much of as you might think) come up with ANYTHING to say or write about.

No clue what to write about, what to talk about, what to sell, and who to sell it to.

At this point, I’m convinced these types of people require help to get them out of bed as well in the morning. If it weren’t for their mom waking them up every morning, chances are they might not even realize where they are or what they’re supposed to do.

I’ve said it before and I’ll say it again.

And while this focuses on writing, it’s equally applicable to everything else you do from public speaking to music creation and more.

Here goes.

If you write about whatever you’re passionate about, and enjoy whatever it is you’re writing, then chances are whoever reads it will enjoy it as much as you do—if not more.

Vice versa, write stuff that bores you about topics that don’t interest you and whoever reads it will be bored out of their mind as well.

Call it the second law of writingdynamics to make it feel all sciency and shit so you’re more likely to remember it.

Anyway, this begs the question:

How do you “optimize” (I don’t enjoy using this word, but for the lack of a better one, let’s go with this one right now) the enjoyment you have while writing—which you’ll eventually transfer to the reader?

Well, that’s the exact topic of the book I’m currently still working on.

So if you’d like to learn more about that, stay tuned and keep your eyes open for more information about that (which will be sooner than you might expect).

In the meantime, check out Email Valhalla to increase your email writing skills so you can grow you list, sell more products, and build a better relationship with your audience.

Here’s the link: https://alexvandromme.com/valhalla

What does it mean for something to be “fun”?

For the past week, I’ve been back on track, writing more than I have been in quite a while.

More specifically, I’ve been working on what will most likely become a physical book, with the preliminary placeholder title of “How to Make Writing Fun, Simple, and Enjoyable (while writing faster than ever before)”.

It’s been a lot of fun, so far (meta, right?).

But the whole premise got me thinking: What does it mean for something to be considered “fun”?

For starters, and contrary to popular belief, if something’s “easy” (that is, entirely without a lack of challenge), then I’ve got it on good authority it ain’t going to be a “fun” experience. There’s simply nothing LESS FUN than boring activities.

This is what many of these “I want to sit on a beach and drink pina coladas all day” types of people miss.

They only say such stuff because they currently aren’t capable of doing so (as humans we tend to want the things we cannot have—such is the cruel way of life). In fact, if they could, chances are they wouldn’t even want to. Maybe you’d enjoy it for a day or two, sure. But after three, four, let alone a full week, you’d be entirely sick of it and you’d crave for some challenge, some excitement in your life, something to dedicate yourself to and actually work on achieving something worthwhile and meaningful (what’s considered meaningful differs from person to person).

But what does this have to do with writing?

You see, if I could hand you a cheat sheet with the exact steps to take, the exact actions to make, and the exact buttons to press (such a cheat sheet doesn’t exist, but let’s assume it does), then writing for you would be the most boring task you could think of.

It’d be monotonous, repetitive, factory-like work which, no matter how much results or how good of an outcome would come of it, none of it would bring you fun, much less true joy.

So, if making the practice “easy” doesn’t do the trick, then what will?

Well, that’s what I’ve been thinking about—intensely. And I finally figured it out.

See, everything that’s fun can be boiled down to 2 ingredients.

And once you know these two it’s easy to inject them into almost every single activity you do (making it so you can turn almost any activity or experience into one that’s as fun as it can get).

Imagine how much more work you’d get done if what you were doing! You wouldn’t even consider it “work” anymore at that point.

So what are those two ingredients?

Well, to figure that out you’ll have to buy my book when it releases.

Until then, why don’t you check out Product Creation Made Easy? I’m using almost the exact same method I teach in there to write (and eventually launch or publish) the book. I say almost, because as with anything, there’s always room for adaptation and improvisation—which I show you how to do in the course as well.

Anyway.

Check it out here: https://alexvandromme.com/product